Andrews, S. and Duggan, P. (2022) 'A Toolkit of Creative Strategies for Personal Debriefing'. Place of publication: Emergency Planning Society. Available at: https://the-eps.org/wp-content/uploads/Documents.pdf.

Andrews, S. and Duggan, P. (2021) 'Performance as City Pandemic Response: Invitations to Innovate'. Place of publication: https://performingcityresilience.com. Available at: https://performingcityresilience.com/publications/.

Andrews, S. and Duggan, P. (2021) 'Towards ‘strategy as performance’ in hazard mitigation: reflections on Performing City Resilience in New Orleans'. Research in Drama Education: The Journal of Applied Theatre and Performance, 26 (1). pp. 187 - 201. ISSN: 1356-9783

Andrews, S. (2020) 'Performing Workshops at Home', in Mock, R. and Paterson, M. (eds.) Joshua Sofaer: Performance | Objects | Participation. Intellect.

Andrews, S. (2019) 'Performing Home'. London: Routledge. ISSN 10: 0415787459 ISSN 13: 9780415787451

Andrews, S. and Wagner, M. (2019) 'The Dramaturgy of the Door'. Routledge. ISSN 10: 1134852274 ISSN 13: 9781134852277

Andrews, S. and Duggan, P. (2019) 'Situation Rooms: Performing City Resilience in New Orleans'. Liminalities: a journal of performance studies, 15 (1). pp. 1 - 23.

Dopson, A., Colliety, P., Andrews, S., Hughes, T. and Markless, S. (2018) '"Terrifying but Amazing": The Use of Supported Performance Simulation to Enhance Student Nurseʼs Ability to Learn and Articulate Ethically Sound Practice'. Athens Journal of Health, 5 (1). pp. 37 - 50.

Andrews, S. (2017) 'At Home with Doors: Practising Architectural Elements in Yes, These Eyes Are the Windows and Between 13 and 15 Steps'. Contemporary Theatre Review, 27 (4). pp. 462 - 480. ISSN: 1048-6801

Andrews, S. (2017) 'The Possibilities of Loneliness in a Changing World: Performing Place in Withdrawn’', in Sagan, O. and Miller, E. (eds.) Narratives of Loneliness: Multidisciplinary Perspectives of the 21st Century. Routledge. pp. 198 - 210.

Andrews, S., Spence, J. and Frohlich, D. (2017) 'Collect Yourselves!: Risk, Intimacy, and Dissonance in Intermedial Performance', in O'Grady, A. (ed.) Risk, Participation, and Performance Practice: Critical Vulnerabilities in a Precarious World. Palgrave Macmillan. pp. 153 - 175. ISBN 13: 9783319632414.

Andrews, S. (2015) 'Surge, Sway, and Yaw: Mooring Performances in the Boat Project and A Room for London'. Contemporary Theatre Review, 25 (4). pp. 502 - 517. ISSN: 1048-6801