Mr Gavin Thatcher
Senior Lecturer in Theatre
Gaskell Building 103
- Email: gavin.thatcher@brunel.ac.uk
- Tel: +44 (0)1895 267403
- Theatre
- Theatre, Music and Film/TV
- Arts and Humanities
- College of Business, Arts and Social Sciences
Summary
I am an academic, pedagogue, theatre maker and UEFA qualified football coach. Having developed a portfolio career as a practitioner-scholar, my work operates dynamically across the generative boundaries of teaching, research, and artistic practice. As a teacher, I have over 10 years experience working in the UK Higher Education sector, during which time I have cultivated a practice of reflexive, collaborative pedagogy that destabilises hierarchical approaches to teaching and learning. I have taught across a range of practical and theoretical modules at universities and conservatoires, including Royal Birmingham Conservatoire, De Montfort University Leicester, and University of Wolverhampton.
As a theatre maker, I was part of the Birmingham Repertory Theatre's Foundry Programme for emerging artists, where I was mentored by Alexander Zeldin, Caroline Horton and Tessa Walker. While on the Foundry Programme, I began to develop a collection of three works exploring neurological trauma and the body. The first two pieces: Grey Matter and The Prisoner's Cinema have been supported by Birmingham Repertory Theatre and MAC Birmingham. In 2017, I assisted acclaimed French theatre director, Mohamed El Khatib, working with over 50 football supporters on stage. I have also worked as a director on several professional projects across theatre, opera, performance art, and musical theatre.
As an academic, I am interested in how we understand, study, and use rehearsal in sport and performance training. I have published on different modes of performance training, critical conceptualisations of voice, and the complicated dynamics of leadership within ensemble practices. I am also interested in exploring the political dynamics of collective creativity beyond the rehearsal studio, addressing other settings including sports performance, healthcare, and emergency response planning. I am currently working on the development of an edited book on performance and football.
Newest selected publications
Galbreath, D. and Thatcher, G. (2021) 'Encountering the singing body: Vocal physicality and interactivity', in Timmers, R., Bailes, F. and Daffern, H. (eds.) Together in Music Coordination, Expression, Participation. Oxford University Press. pp. 267 - 271. ISBN 10: 0198860765. ISBN 13: 9780198860761.
Galbreath, D. and Thatcher, G. (2020) 'Complicating leadership: choral conducting training through movement theatre practice'. Music Performance Research, 10. pp. 21 - 37.Open Access Link
Thatcher, G. and Galbreath, D. (2019) 'Singing bodies: reconsidering and retraining the corporeal voice'. Theatre, Dance and Performance Training, 10 (3). pp. 349 - 364. ISSN: 1944-3927
Thatcher. and Galbreath, D. (2017) 'Essai (French: ‘test’, ‘attempt’, ‘trial’, ‘tryout’): The singing body: towards a unified training of voice, body, and mind.'. Theatre, Dance and Performance Training, 8 (3). pp. 360 - 363. ISSN: 1944-3927