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Nicolls, S. and Molitor, C. (Accepted) 'Black/White/Grey/Cream (B/W/G/C)'. [‘poolside emergency at the Bluecoat: one day live art festival Liverpool.]

Performance

Fox, C. (2010) 'Magic moments'. Musical Times, 151 (1910). pp. 87 - 91. ISSN: 0027-4666

Journal article

Croft, J. (2010) 'The spectral legacy (review article)'. Journal of the Royal Musical Association, 135 (1). pp. 191 - 197. ISSN: 0269-0403

Journal article

Croft, J. (2010) '...ne l'aura che trema'. The piece follows the approach to live instrumentality outlined in the composer's "Theses on Liveness" Organised Sound 12(1), whereby soundfiles and score-following are forgone in favour of immediate response to the present sound. I have sought a sense of instrumental continuity between flute and electronic treatment while also allowing the resulting sounds to evoke the trembling air which sometimes envelops the player. The piece draws upon recent work in real-time spectral processing by J.-F. Charles and Sethares et al. to create complex interactions without score-following while retaining a strong sense of instrumental expressivity. Premiered by Sung-hee Park (alto flute), Seoul International Computer Music Festival, 3 September 2010, and has been recorded by Richard Craig for Métier Records, forthcoming (metier msv 28517).

Composition

Fox, C. (2010) 'schwarz-weiss'. 2008-2010 Commissioned by Trio Scordatura; premiered by Ensemble Klang, 31 May 2012, Amsterdam.

Composition

Nicolls, S. (2010) 'Seeking out the spaces between: using improvisation for collaborative composition and interactive technology'. Leonardo Music Journal, 20. pp. 47 - 55. ISSN: 0961-1215 Open Access Link

Journal article

Nicolls, S. (2010) 'Interacting with the piano'. PhD Thesis.Open Access Link

Thesis dissertation

Fox, C. (2010) ''Exercising the ensemble: some thoughts on the later music of Christian Wolff'', in Thomas, P. and Chase, S. (eds.) Changing the System. Ashgate Pub Co. pp. 125 - 142. ISBN 10: 0754666808. ISBN 13: 9780754666806.

Book chapter

Fox, C. (2009) 'Extended Play'. Premiered by the Crash Ensemble, Dublin, 11th December 2009.

Composition

Fox, C. (2009) 'For Aldo Clementi'. Contemporary Music Review, 28 (6). pp. 513 - 514. ISSN: 0749-4467

Journal article

Nicolls, S. (Accepted) 'Mesopotamia - Richard Barrett'. [Huddersfield Contemporary Music Festival 2009; Queen Elizabeth Hall, South Bank Centre, London.]

Performance

Nicolls, S. (Accepted) 'New Work for pianist and sensors, by Atau Tanaka'. [University of Surrey.]

Performance

Nicolls, S. (Accepted) 'Suspensions by Atau Tanaka'. [Huddersfield Contemporary Music Festival.]

Performance

Fox, C. (2009) 'John Adams: Hallelujah junction - Composing an American life'. Musical Times, 150 (1908). pp. 109 - 112. ISSN: 0027-4666

Journal article

Fox, C. (2009) 'Christopher Fox', in Saunders, J. (ed.) The Ashgate Research Companion to Experimental Music. Ashgate Publishing. pp. 261 - 270. ISBN 10: 0754662829. ISBN 13: 9780754662822.

Book chapter

Nicolls, S. (2009) 'Twenty-first Century Piano'.New Interfaces for Music Expression 2009. Pittsburgh. 4 - 6 June. Proceedings of NIME 09, Pittsburgh, June 2009.

Conference paper

'Sonatas, Pianos, Machines and Interludes'. (2009) King's Place, London; the Bluecoat, Liverpool.

Exhibition

Fox, C. (2009) 'Headlong'. (2007-9) Work for solo oboe and square wave soundfiles Commissioned by Christopher Redgate; premiered by him, Dartmouth College, USA, May 5 2009.

Composition

Croft, J. (2009) 'Fields of Rubble: on the poetics of music after the postmodern', in Heile, B. (ed.) The Modernist Legacy: Essays on New Music. Farnham : Ashgate Publishing. pp. 25 - 38. ISBN 10: 0754662608. ISBN 13: 9780754662600.

Book chapter

Fox, C. (2009) 'The music of Michael Nyman: texts, contexts and intertexts'. MUSICAL TIMES, 150 (1906). pp. 107 - 109. ISSN: 0027-4666

Journal article

Nicolls, S. (Accepted) 'Castiglioni - music for piano and orchestra'. [Muziekgebouw, Amsterdam; Utrecht.]

Performance

Wiegold, P. (2009) 'Bow-wave'. FP: Birmingham Symphony Hall; Manchester Bridgewater Hall; Roundhouse, London. Commissioned by the National Youth Orchestra.

Composition

Fox, C. (2009) 'Why experimental? Why me?', in Saunders, J. (ed.) The Ashgate Research Companion to Experimental Music. Farnham, Surrey : Ashgate Publishing Limited. pp. 7 - 26. ISBN 10: 0754662829. ISBN 13: 978-0-7546-6282-2.

Book chapter

Fox, C. (2009) 'as air, as light'. 2009-2010 Commissioned by Anders Førisdal; premiered by Dylan Lardelli, Auckland (NZ), 10 March 2012.

Composition

Wiegold, P. (2009) 'The end of the line (A brief encounter)'. FP: RNCM Musicians, Manchester Piccadilly Train Station.

Composition

Wiegold, P. (2009) 'Kalachakra (revised)'. FP: Notes Inégales, Kings Place Festival.

Composition

Wiegold, P. (2009) 'That man's talking nonsense (revised)'. FP: Hammers & Sticks, Newcastle University.

Composition

Wiegold, P. (2009) 'Youwarkee'. FP: bcmg Family Concert, CSBO Centre.

Composition

Riley, C. (2009) 'Skin and wire'.

Composition

Nicolls, S. (2009) 'Adrift/ Richard Barrett'.

Composition

Riley, CJ. (2009) 'Landscapes with Birds'. improvisational piece for jazz saxophonist and string orchestra.

Composition

Wiegold, P. (2009) 'Four winds'. FP: Schools' Prom, Royal Albert Hall. Commissioned by Music for Youth.

Composition

Fox, C. (2008) 'Where the river bends: The cologne school in retrospect'. Musical Times, 149 (1901). pp. 27 - 41. ISSN: 0027-4666

Journal article

Fox, C. (2008) 'comme ses paroles'. 70 minute work commissioned by Huddersfield Contemporary Music Festival and the BBC.

Composition

Rosen, M., Whitehead, T. and Noble, L. (2008) 'Nonsense'.

Composition

Fox, C. (2008) 'fur Johannes Kepler'. Commissioned by Trio Scordatura and premiered by them at the 2008 TRANSIT Festival, Leuven.

Composition

Nicolls, S. (Accepted) 'Machines within Machines - composed & performed by Sarah Nicolls'. [HCI 2008 conference at NOVAS CUC, Liverpool.]

Performance

Riley, C. (2008) 'Nonsense'. 2008 - Premiere. 2009 - UK Tour.

Composition

Wiegold, P. (2008) 'Bitches brew'. FP: ICA, Miles Davis...Brew. Arranged by Peter Wiegold.

Composition

Wiegold, P. (2008) 'Jean Pierre'. FP: ICA, Miles Davis...Brew. Postcard by Colin Riley.

Composition

Riley, C. (2008) 'Fold'.

Composition

Riley, C. (2008) 'Cradle'.

Composition

Wiegold, P. (2008) 'Aulos'. FP: Purcell Room, Park Lane Group Young Artists' New Year Series 2008. Commissioned by Peter Sparks.

Composition

Wiegold, P. (2008) 'SIVAD'. FP: ICA, Miles Davis...Brew. Postcard by Richard Barrett.

Composition

Fox, C. (2008) 'Unreasonable strains'. 2008-2009 Commissioned by Kammerensemble Neue Musik Berlin; premiered by them, Dyanamowerk, Siemens Berlin, June 20 2009.

Composition

Wiegold, P. (2008) 'The zither with 50 strings'. FP: Purcell Room, London. Commissioned by the Asian Music Centre for Matthew Barley and the Silk String Quartet.

Composition

Wiegold, P. (2008) 'That man's talking nonsense'. FP: bcmg family concert, CSBO Centre.

Composition

Fox, C. (2008) 'The true standard advanced'. 2008 Commissioned by NMC Records for the NMC Songbook; recorded by Daniel Norman (tenor) and Owen Gunnell (drum).

Composition

Fox, C. (2008) 'Hand-cranked haiku'. Premiered by Pierre Alexandre Tremblay, Nick Williams, October 18 2008, Studio 4’ 33”, Paris.

Composition

Fox, C. (2008) 'A study in daylight'. 2008-2009 Commissioned by the Endymion Ensemble; premiered by them, Kings Place, London, June 3 2009.

Composition

Riley, C. (2008) 'The big sound symphony'.

Composition

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